The Latin rhythms of this Gloria Estefan hit are hot, hot, hot. Spend a little time learning the rapid-fire lyrics, and then let the party begin! Optional solos are passed around during verses, but the scintillating harmonized hook is everybody’s game. An eight-bar interlude at the coda doubles as a brief dance break just before the final choral riffs. A bonafide crowd-pleaser! Learn More

The Latin rhythms of this Gloria Estefan hit are hot, hot, hot. Spend a little time learning the rapid-fire lyrics, and then let the party begin! Optional solos are passed around during verses, but the scintillating harmonized hook is everybody’s game. An eight-bar interlude at the coda doubles as a brief dance break just before the final choral riffs. A bonafide crowd-pleaser! Learn More

The Latin rhythms of this Gloria Estefan hit are hot, hot, hot. Spend a little time learning the rapid-fire lyrics, and then let the party begin! Optional solos are passed around during verses, but the scintillating harmonized hook is everybody’s game. An eight-bar interlude at the coda doubles as a brief dance break just before the final choral riffs. A bonafide crowd-pleaser! Learn More

The Latin rhythms of this Gloria Estefan hit are hot, hot, hot. Spend a little time learning the rapid-fire lyrics, and then let the party begin! Optional solos are passed around during verses, but the scintillating harmonized hook is everybody’s game. An eight-bar interlude at the coda doubles as a brief dance break just before the final choral riffs. A bonafide crowd-pleaser! Learn More

Ruth Morris Gray has a gift for presenting worthy texts in satisfying choral settings, and this piece is no exception. With words from the poem “November” by William Cullen Bryant, former editor of the New York Evening Post, this expressive concert work evokes the stark beauty of coming winter. An optional C-instrument part adds a shimmering layer to the luscious choral/piano texture. Learn More

Ruth Morris Gray has a gift for presenting worthy texts in satisfying choral settings, and this piece is no exception. With words from the poem “November” by William Cullen Bryant, former editor of the New York Evening Post, this expressive concert work evokes the stark beauty of coming winter. An optional C-instrument part adds a shimmering layer to the luscious choral/piano texture. Learn More

This rhythmic opening number from Broadway’s Once on This Island is a syncopated standout with a bright island groove and accented choral singing. With the recent revival, national tours, and a Best Revival Tony Award®, the spotlight returns to this Ahrens and Flaherty favorite. Now available for 2-part treble voices! Learn More

Greg suggests performing his moody setting of the enduring folk song “with longing and mystery”---a fitting approach for this creative re-harmonization. A hushed layering of the first four melodic notes provides the gentle introduction and pensive closing for this uniquely wistful arrangement. Rich choral sonorities, with just a touch of dissonance, emerge when the piece arrives at its “love is handsome” peak. Learn More

Greg suggests performing his moody setting of the enduring folk song “with longing and mystery”---a fitting approach for this creative re-harmonization. A hushed layering of the first four melodic notes provides the gentle introduction and pensive closing for this uniquely wistful arrangement. Rich choral sonorities, with just a touch of dissonance, emerge when the piece arrives at its “love is handsome” peak. Learn More