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  1. Music Expressions™ Grades 7-8 (Middle School 2): Teacher Edition

    Music Expressions™ Grades 7-8 (Middle School 2): Teacher Edition

    £275.00

    00-EMC78001

    Music Expressions™, the general music component of Expressions Music Curriculum™, is a literacy-focused music curriculum that includes a wide range of classroom resources for teachers of grades K-8. Each lesson focuses on a particular set of music standards set forth in the National Standards for Arts Education. It provides elementary school students with the curricular foundation needed for secondary-school music disciplines including band, orchestra, chorus, and jazz ensembles. Its spiral structure builds music skills cumulatively from class to class and year to year. Features include embedded assessments, authentic recordings, and diverse content. The Teacher Curriculum Package includes Teacher Edition Volumes I-III, Teacher Support Pack, and Teacher Resource Guide. Teacher Edition Each grade level includes four easy-to-carry volumes. Each volume contains age-appropriate, easy-to-follow lesson plans that motivate students. They deliver musical concepts that incorporate the most up-to-date research on how children learn. Every lesson develops critical thinking skills and music vocabulary, and provides cross-curricular connections, assessments, and additional resources for lesson expansion. Teacher Support Pack The components of the Teacher Support Pack greatly enhance the curriculum. It includes reproducible worksheets (23 total), overhead transparencies (6 total), journal pages (14), progress record (MSPR2), 4 rhythm city rap cards (6 sets), 24 "B-b-b-b-bassball" rhythm cards (1 deck), 22 mood cards, and 1 timeline. Teacher Resource Guide (6-7/8) The guide contains important teaching information on classroom management, assessment, lesson organization, and more. It also includes strategies for playing instruments, singing, and supporting music education in our schools. Learn More
  2. The Music of the Lord of the Rings Films

    The Music of the Lord of the Rings Films

    [Howard Shore] By Doug Adams

    £58.50

    98-36329

    Howard Shore's Academy Award-winning score for The Lord of the Rings has been hailed as some of the greatest film music ever written. Sweeping in scope, it is an interpretation of J.R.R. Tolkien's Middle-earth as music---an operatic tapestry of cultures, histories, languages, and peoples. The Music of the Lord of the Rings Films takes the reader on an unprecedented journey into the heart of this history-making opus with extensive music examples, original manuscript scores, a rarities CD, and fascinating glimpses into the creative process from the composer himself. Also included are a foreword by Howard Shore, an introduction by Fran Walsh, and sketches by John Howe and Alan Lee. Learn More
  3. Music Publishing: The Complete Guide

    Music Publishing: The Complete Guide

    By Steve Winogradsky

    £78.50

    00-41088

    Written by an attorney with over 30 years of experience in the music industry, Music Publishing: The Complete Guide is the definitive manual on music copyright. Whereas many books on the subject are aimed at artists and songwriters, this book will serve as a thorough guide for industry pros, lawyers, and music business and law students. Subjects covered include copyright; performing rights organizations; mechanical, synchronization, and print licensing; songwriter and composer agreements; publishing administration and foreign sub-publishing; production music libraries; pitching and placement companies; sampling; and much more. The discussion also delves into historical perspective and current trends and revenue opportunities in the evolving digital marketplace. Easy-to-read narratives explain the key points for all of these types of deals. There are many sample agreements included in the book, all annotated in simple terms that explain the often complex contract language. There are also links to copyright and publishing resources, listings of foreign performance and mechanical societies, and anecdotes and case studies from real world incidents. If you're looking for a thorough grounding and go-to reference book on music copyright, not just a quick crash course, your search is over. "Steve's Music Publishing text is fantastic. It is personal, practical, and even includes excellent real world case studies. Furthermore, the helpful agreement annotations and comments are a most excellent resource for breaking down agreement language and terms for the reader. His knowledge, experience, and sense of humor make this the best music publishing text I've read. I will be using Steve's book as the official text for our Music Publishing course at The University of Colorado Denver's Music Industry Program. All those interested in learning more about music publishing or having a sharp reference text should get this book!"---Benom Plumb, Assistant Professor, Music & Entertainment Industry Studies, University of Colorado Denver "Filled with examples of real-life situations that mirror what industry professionals face every day, [the book is] also very down-to-earth as written and not rife with legalese as might be expected for a book on this subject . . . Winogradsky has poured 30 years of experience into this book. It shows, and it will be appreciated by both students and professionals."---John Burlingame, The Film Music Society "The greatest strength of this book, which really sets it apart from other books on publishing, is the inclusion of sample documents with extensive explanation by the author . . . Winogradsky walks the reader through each of the contracts using a side-column running analysis and commentary which includes illustrative calculations. It is the next best thing to having an attorney present . . . Students can review these documents on their own, with the author's help, which makes them invaluable resources."---Benjamin Smith, MEIEA Journal Learn More
  4. Alfred's Music Playing Cards: Classical Composers (12 Pack)

    Alfred's Music Playing Cards: Classical Composers (12 Pack)

    By Karen Farnum Surmani and Andrew Surmani

    £84.90

    00-39322

    Alfred's Music Playing Cards: Classical Composers are an exciting and innovative resource to help students become familiar with the great composers. These are real playing cards divided into four suits, each representing a different compositional era of music: Renaissance, Baroque, Classical, and Romantic. Each suit contains 13 composer cards with the composer's likeness, nationality, birth and death dates, brief facts about his or her musical life, and important compositions. Four jokers are included as well, each containing a brief outline of the corresponding musical style period. The cards can be used to play Crazy 8s, Gin Rummy, Matching, Go Fish---virtually any card game using a 52-card deck! Alfred's Music Playing Cards: Classical Composers are a fun and playful way for your students to learn about the great composers, and are perfect for any studio or classroom! Learn More
  5. Sticks 'n' Skins

    Sticks 'n' Skins

    By Jules Follett and Lissa Wales

    £89.00

    98-0615282886

    Discover the heartbeat of music in this 560 page full color coffee table book. Sticks 'n' Skins is dedicated to late drumming photographer Lissa Wales and opens with a tribute to her work. Illuminating the eclectic world of drumming over the past 70 years, the book features never-before-seen photos and stories of legendary artists including Louie Bellson (Benny Goodman), Steve Gadd (Barbra Streisand), Jim Keltner (Bob Dylan), Hal Blaine (Elvis Presley), Ginger Baker (Cream), Charlie Watts (The Rolling Stones), David Garibaldi (Tower of Power), Anton Fig (Late Night with David Letterman), Nigel Olsson (Elton John), Chad Smith (The Red Hot Chili Peppers), and many more. Sticks 'n' Skins is not only visually inspiring with its stunning photos, but also preserves the legacy of the drumming community. Sure to become a music lover's collector's item, this extraordinary book offers fans young and old a new perspective on some of the biggest names in music history. Learn More
  6. If It Ain't Baroque . . .

    If It Ain't Baroque . . .

    By David W. Barber / illus. Dave Donald

    £16.50

    99-0987849281

    Not content with having hilariously skewered the lives of great composers in Bach, Beethoven and the Boys, in If It Ain't Baroque . . . musical humorist David W. Barber takes aim at their works as well. From symphonies to solo songs, from motets to madrigals to masses, Barber wittily yet informatively tells readers everything they need to know (and more!) about the various different genres of classical music (and if you're not sure what a genre is, don't worry---Barber will explain that too). As always, the facts are true and the information is accurate, it's just that Barber has a particularly wicked way of looking at things and a knack for finding out obscure facts and presenting them in a light-hearted way. So if you like to laugh while you learn, you've come to the right place. And again as always, Barber's clever prose is perfectly accompanied by the delightful illustrations of cartoonist Dave Donald. Learn More
  7. Conducting: A Hands-On Approach

    Conducting: A Hands-On Approach

    By Anthony Maiello / music examples by Jack Bullock

    £71.00

    00-SB3017CD

    This comprehensive text by Anthony Maiello on the art of conducting is designed to be hands on, user friendly, playable by any instrumentation, a step-by-step approach to baton technique, great for use with a wind, string or voice conducting class, and excellent as a refresher course for all conductors at all levels of ability. The 232-page book covers a variety of conducting issues and the included recording contains all the musical exercises in the book (there are more than 100). Learn More
  8. The Art of Conducting Technique

    The Art of Conducting Technique

    By Harold Farberman

    £70.00

    00-EL96104

    A fresh, original look at the art of conducting, including Pattern Cubes, which is a three-dimensional system for charting baton movement. Through this book, both the aspiring and the experienced conductor will benefit from Harold Farberman's experience and ideas. Learn More
  9. Choral Conducting Technique

    Choral Conducting Technique

    By Tijs Krammer

    £50.50

    00-49844

    Explore the art of gesture and how it shapes the music you get from your singers. Is it always necessary to beat the time? What should I do with my other hand? Are there strategies for connecting with larger groups? How can I develop my own conducting style? This clearly presented text answers these questions and many more with both theory and practice. Special features include carefully designed diagrams that illustrate beat patterns in a variety of meters, plus downloadable exercises for further study. A complete method for beginners, and a refresher course for experienced directors. Learn More
  10. Getting a Handel on Messiah

    Getting a Handel on Messiah

    By David W. Barber / illus. Dave Donald

    £16.50

    99-0987849212

    David. W. Barber has delighted readers all around the world with the quirky definitions of Accidentals on Purpose, the irreverent history of Bach, Beethoven and the Boys, a hilariously offbeat history of dance and ballet in Tutus, Tights and Tiptoes, and a host of other internationally best-selling books of musical humor and literature. Chances are you've heard Handel's Messiah at least once, if not many times. Maybe you've even performed it, as have countless musicians around the world. After all, it's probably one of the best-loved, and certainly one of the best-known, works in the standard repertoire. But if you think you know all there is to know about the great composer's famous oratorio, think again. For example, it may surprise you to learn that: * Handel's first impulse to compose the work came not from religious or even musical inspiration. It had a whole lot more to do with money. * The very first performance of Messiah took place not in London, but in Dublin---and not with a huge choir and orchestra, but with only a relative handful of musicians. * Although church groups and clergy members now praise Messiah as an example of religious music at its best, Handel had to disguise his oratorio for its first performance in London, in order to sneak it past the prissy church authorities. * The Hallelujah chorus wasn't originally called that at all, but had a different (and much longer!) name. * Although Handel was proud of Messiah, he didn't think it was his best work. His favorite oratorio was one that hardly anyone has ever heard of, much less heard. All these and many more entertaining (and entirely true!) facts await your discovery as internationally best-selling author David W. Barber takes you on another delightful romp through the pages of music history---as it ought to be taught! Learn More

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