Search results for 'Solo xtreme'

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  1. Halloween Footsteps

    Halloween Footsteps

    By Margaret Goldston

    £3.25

    00-18522

    There are "sneaky" footsteps all through this spooky C-minor solo that explores the high and low ends of the keyboard, with staccato against legato, accents, and nice extremes in dynamics. Learn More
  2. Sunday Morning Organist, Volume 1: Solos for Christmas

    Sunday Morning Organist, Volume 1: Solos for Christmas

    £17.95

    00-33259

    Christmas is an extremely busy time for church organists. To simplify performance preparation during this hectic season, Alfred has compiled a substantial 128-page collection of carol arrangements and medleys in styles ranging from meditations to fantasies. Featuring most-requested pieces arranged by the legendary Virgil Fox, as well as other professional organists including Robert J. Powell and Franklin Ashdown, this convenient Sunday Morning Organ Companion: Solos for Christmas contains a rich source of materials from the Belwin-Mills, H. W. Gray, and Alfred organ catalogs. Titles: The Angel Gabriel from Heaven Came * Angels Sing! (Medley) * Angels We Have Heard on High * Baloo, Lammy * Bring a Torch, Jeanette, Isabella * A Carol Fantasy * Come, Thou Long-Expected Jesus * Gesù Bambino * Good Christians All, Rejoice * Good King Wenceslas * Hark! the Herald Angels Sing * He Is Born * I Saw Three Ships * In the Bleak Midwinter * Infant Holy, Infant Lowly * Joy to the World! * Maria Walks Amid the Thorn * O Come, All Ye Faithful * O Come, Little Children * O Come, O Come, Emmanuel * O Holy Night! * O Little Town of Bethlehem * Silent Night * Sing We Now of Christmas * We Three Kings of Orient Are * What Child Is This. Learn More
  3. Journey West (The Oregon Trail)

    Journey West (The Oregon Trail)

    By Reneé Schwab

    £3.25

    00-18140

    There is a western, folk flavor to this legato, rolling, panoramic solo, in B major. The left hand keeps a fairly constant broken chord accompaniment, and the right hand sings the melody, with occasional reaches of an octave. There are many changes in tempo, meter and dynamics, and there is a generous use of the extremes of the keyboard. This solo won a Lynn Freeman Olson Composition Award. Learn More

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