Search results for 'Suzuki'

String pedagogue Barbara Barber has developed an intonation system which teaches string players the layout of the fingerboard and takes the guesswork out of playing in tune. In Viola Fingerboard Geography, Volume 1, "Finger Marches" establish the 1st finger "home base" note on all four strings. Finger Pattern Exercises -- 12 color-coded patterns -- develop quick, precise action in the left hand without the need for fingerboard tapes. Fingerboard Geography Exercises teach note names, distances, and intervals for all the notes in 1st position. No Fear Shifting has students sailing effortlessly all the way to 8th position on their first day of shifting. Viola Fingerboard Geography, Volume 1, concludes with dozens of Practice Suggestions for pieces in the Suzuki® Viola School, Volumes 1-4, but can be used as a daily warm-up routine and complements perfectly any beginning viola method. The book includes 4 pull-out color-coded Finger Pattern charts. Learn More

In a speech at the 1984 Matsumoto Summer Conference, Dr. Shinichi Suzuki nicknamed Alice Kanack "Mozart's mother" in response to her innovative work in the development of the creative part of the brain. He added to this his hope that as a result, someday all children might create their own music. After twelve years of research and testing, the Fun Improvisation for... series was developed. Each book contains philosophical and practical advice on how to use the 28 musical exercises to develop a child's innate creative ability to its highest level. The basic instructions allow even a twinkler to use these exercises, while the advanced instructions provide a challenge to the most advanced player. Learn More

In a speech at the 1984 Matsumoto Summer Conference, Dr. Shinichi Suzuki nicknamed Alice Kanack "Mozart's mother" in response to her innovative work in the development of the creative part of the brain. He added to this his hope that as a result, someday all children might create their own music. After twelve years of research and testing, the Fun Improvisation for... series was developed. Each book contains philosophical and practical advice on how to use the 28 musical exercises to develop a child's innate creative ability to its highest level. The basic instructions allow even a twinkler to use these exercises, while the advanced instructions provide a challenge to the most advanced player. Learn More

In a speech at the 1984 Matsumoto Summer Conference, Dr. Shinichi Suzuki nicknamed Alice Kanack "Mozart's mother" in response to her innovative work in the development of the creative part of the brain. He added to this his hope that as a result, someday all children might create their own music. After twelve years of research and testing, the Fun Improvisation for... series was developed. Each book contains philosophical and practical advice on how to use the 28 musical exercises to develop a child's innate creative ability to its highest level. The basic instructions allow even a twinkler to use these exercises, while the advanced instructions provide a challenge to the most advanced player. Learn More

A comprehensive coverage of what the Suzuki approach embodies, this book should be considered a requirement in the home of every piano teacher and student. Eight of the 14 chapters lay the foundation for understanding Suzuki's "Mother Tongue Approach," its procedures, and its benefits. The authors have given their ideas of what it takes to be a Suzuki teacher, how to structure an effective lesson, what to cover in those first lessons, and how to do it. Using more than 400 musical examples, the teaching points and the interpretation of the seven volumes of music are presented. In addition, some alternate fingerings are suggested and places where the Suzuki edition departs from the original edition are noted. Learn More

A challenging, enjoyable volume of five imaginative piano trios for Violin, Cello & Piano designed for, but not exclusive to, Suzuki students playing the three main instruments. Each engaging ensemble piece comes with a tailored practical guide to presented techniques, facilitating learning at the same time as fostering ensemble playing. The book also includes an accompanying CD. Learn More

This is an anthology of tried and tested, fun enrichment repertoire for group classes, concerts, institutes, and workshops. The ensembles are designed for use in either a reading-based or Suzuki context. Players of different skill levels can combine for performances as many pieces contain graded parts and work well in different combinations. The Online Media includes performance and piano backing tracks. Includes reproducible flute parts. Learn More

Gems for Violin Ensembles 4 is an anthology of tried and tested fun enrichment repertoire for group classes, concerts, institutes and workshops. They are designed for use in either a reading-based or Suzuki context.

Players of different standards (beginner, elementary and more advanced) can join together for performances, as many pieces contain graded parts and work well in different combinations. The Online Media includes performance recordings and piano backing tracks. Learn More

A collection of 10 entrancing, original pieces designed for young cellists (with piano or CD accompaniment) in either a reading-based or Suzuki group lesson environment. This collection enables players of different levels to perform together---many of the pieces include parts for beginner, elementary, and more advanced players, and can be played successfully in different combinations. Includes reproducible cello parts and a 36-page score. The CD features a full performance of each piece as well as piano accompaniment tracks. Learn More